They say it's wrong for us to sing a love song
They say we're crossing over way too far
But I can't help it when I look at you, babe
How beautiful you are
Your nose is like a tower
Your legs like cedar trees
Your hair is like a flock of goats
Pomegranates are your cheeks
Your navel's like a goblet
Your teeth like little sheep
If Solomon could say it
Baby, baby, why can't we?
Whoa, whoa, yeah
They say it's wrong to put our heart in motion
They want to put our love inside a box
But when I look at you, it's true devotion
You're such a spiritual fox
Your nose is like a tower
Your legs like cedar trees
Your hair is like a flock of goats
Pomegranates are your cheeks
Your navel's like a goblet
Your teeth like little sheep
If Solomon could say it
Baby, baby, why can't we?
Your nose is like a tower
Your legs like cedar trees
Your hair is like a flock of goats
Pomegranates are your cheeks
Your navel's like a goblet
Your teeth like little sheep
If Solomon could say it
Baby, baby, why can't we?
Whoa, whoa...
Baby, baby, why can't we?
Baby, baby, why can't we?
Baby, baby, why can't we?
Baby, baby, why can't we...
Baby, Baby (Why Can't We?) Song Meaning, Biblical Reference and Inspiration
"Baby, Baby (Why Can't We?)" by Scott Wesley Brown is a song that creatively intertwines romantic sentiments with biblical imagery, offering listeners a unique perspective on love. The song draws heavily from the poetic and vivid descriptions found in the Song of Solomon, an Old Testament book that celebrates the beauty and sanctity of love between a man and a woman. In this analysis, we'll delve into the lyrics, breaking them down chronologically to uncover their meaning and the Bible verses they relate to.
The song begins by addressing societal or external pressures that seem to criticize or question the depth and expression of the singer's love. This opening sets a stage where love is under scrutiny, mirroring the world's often skeptical view of deep, expressive love.
As the song progresses, the lyrics transition into a celebration of the beloved's beauty, using metaphors and similes that are directly inspired by the Song of Solomon. For example, when the singer describes his love's nose as "like a tower" and her legs "like cedar trees," these comparisons can be linked back to Song of Solomon 7:4-5, where similar imagery is used to admire the beloved. The reference to the woman's hair as "like a flock of goats" descending from Mount Gilead (Song of Solomon 4:1) further illustrates the use of pastoral and natural imagery to convey beauty and allure.
The mention of "pomegranates are your cheeks" echoes the lush and vibrant imagery found throughout the Song of Solomon, symbolizing vitality and beauty (Song of Solomon 4:3; 6:7). The comparison of the navel to a goblet and teeth to little sheep (Song of Solomon 7:2 and 4:2 respectively) further draws from the poetic language of the Bible to express admiration and affection in a deeply evocative manner.
The chorus's repetitive questioning, "Baby, baby, why can't we?" suggests a longing for the freedom to love openly and passionately, akin to the expressions found in the Song of Solomon. It challenges the constraints placed on expressing love, questioning why contemporary society may frown upon the open celebration of love that mirrors the biblical expressions.
Throughout the song, Scott Wesley Brown manages to bridge the ancient with the contemporary, using the timeless words of the Bible to speak into modern-day relationships. By doing so, he not only affirms the beauty and depth of romantic love but also highlights its God-given nature. The use of biblical references serves as a reminder that love, in its truest form, is something to be celebrated and cherished, much like the love depicted in the Song of Solomon.
In summary, "Baby, Baby (Why Can't We?)" is a song that celebrates love using the rich, poetic imagery of the Bible. Scott Wesley Brown skillfully weaves together the passionate expressions of the Song of Solomon with the contemporary questions about love's expression, offering listeners a song that is both deeply romantic and spiritually resonant.
